New Tarot Card Released: The Fool
Introducing The Fool, the first card in the Tarot of the Lost Futures series. This card symbolises new beginnings, curiosity, and the courage to step into the unknown
Introducing The Fool, the first card in the Doki No Ki - Tarot of the Lost Futures series. This card symbolises new beginnings, curiosity, and the courage to step into the unknown.
The journey of “Doku no Ki” starts with The Fool – a symbol of beginnings, curiosity, and the courage to step into the unknown. In the tarot tradition, The Fool isn’t just a character; it represents a state of mind, a willingness to walk forward even when the path ahead is obscured by mystery. The Fool is both naive and brave, a figure on the edge of transformation, ready to embark on a journey that will change them forever.
In my painting for The Fool, I’ve tried to capture this energy. The character, known only as ‘Shinka Anima’, stands poised, looking out into the dark and sprawling urban landscape. Shadows fall and the lights of the city hint at secrets hidden in the alleys and skyscrapers.
The Fool here is not just a wanderer but an explorer, questioning the limits of reality and searching for meaning in a world that feels increasingly alien. This journey is not just physical but deeply personal. Every step is a leap of faith, a choice to learn, evolve, and discover. Like the original tarot card, my Fool carries a lightness – a willingness to embrace change without fear. In this way, The Fool reminds us that every journey, no matter how complex, starts with a single, courageous step into the unknown.
As ‘Doku no Ki’ continues, each tarot painting and accompanying story unfolds another chapter in the life of Shinka Anima. Together, these moments build a narrative that connects art, story, and the inner journey we all undertake. The Fool sets the stage, inviting viewers to step alongside Shinka Anima and explore a world filled with mystery, purpose, and the echoes of past lives.
Are you ready to take that first step?
Bringing Stories to Life: My Illustration Series for Aardman Animation Studios Exhibition
It all begins with an idea.
December 28, 2023
I had the privilege of creating a series of illustrations for an exclusive exhibition in collaboration with Aardman Animation Studios, renowned for their groundbreaking work in stop-motion animation. This project was a journey into the heart of visual storytelling, blending traditional illustration techniques with the innovative spirit of Aardman.
The Inspiration Behind the Illustrations
The series was inspired by Aardman's rich legacy in animation, known for iconic characters and engaging narratives. My goal was to capture the essence of their storytelling while infusing my unique artistic style. Each illustration was not just an artwork but a narrative piece, reflecting the whimsy and charm that Aardman is celebrated for.
Process and Technique
The creation process was a meticulous blend of research, sketching, and digital artistry. I began with extensive research on Aardman's characters and themes, immersing myself in their world. Sketches were then transformed into detailed illustrations using a combination of traditional drawing and digital painting techniques. The choice of colours, textures, and compositions was carefully considered to resonate with Aardman's aesthetic while maintaining my artistic identity.
Collaboration with Aardman Animation Studios
Working alongside Aardman was an enlightening experience. Their team provided invaluable insights, ensuring that the illustrations not only honoured their brand but also brought fresh perspectives. This collaboration was a dialogue between my artistic vision and Aardman's storied history in animation.
Challenges and Overcoming Them
One of the main challenges was staying true to the recognizable style of Aardman while ensuring that my illustrations stood out as original works. Striking this balance required constant refinement and a deep understanding of both Aardman's style and my artistic voice.
Exhibition and Reception
The exhibition showcased the illustrations alongside Aardman's work, creating a captivating narrative journey for visitors. The response from industry professionals and academics was overwhelmingly positive, with many appreciating the fusion of styles and the homage to Aardman's storytelling prowess.
Conclusion
This project was more than an artistic endeavour; it was a tribute to the art of animation and storytelling. Working with Aardman Animation Studios offered a unique opportunity to delve into the world of animated narratives and create illustrations that resonate with both industry professionals and admirers of animation. It was an honour to contribute to this exhibition and to celebrate the magic of Aardman's creations through my art.
Challenging Consumer Norms: The Public Research Systems Experiment in Depersonalising Products
It all begins with an idea.
July 4, 2008
In 2008, the "Public Research Systems" art installation embarked on an ambitious journey to explore and challenge consumer behaviors. This provocative brand identity experiment aimed to question the deeply ingrained perceptions of product personalization in the consumer market.
Concept and Inspiration
The central theme of the installation was to investigate whether consumer choices could be influenced or altered by depersonalizing products. The idea stemmed from the observation of increasing personalization in consumer goods and services and how this trend impacted buying decisions. The goal was to provoke thought about the nature of our attachments to branded products.
The Art Installation Design
The installation was designed to present products in their most basic, unbranded forms, stripping away the usual marketing and packaging frills. It featured everyday items placed in a neutral, unembellished setting, challenging the viewers to interact with these items devoid of any brand identity. This minimalistic approach was intended to create a stark contrast to the typical consumer experience.
The Experiment in Consumer Behaviour
Visitors to the installation were invited to use or interact with the products, and their reactions and choices were observed. The lack of branding on these items provided a unique opportunity to see if and how depersonalization affected consumer behavior. The experiment sought to answer questions such as: Do we choose products based on brand familiarity, or are our choices influenced more by the product's inherent value or utility?
Observations and Insights
The results of the experiment were eye-opening. Many visitors exhibited hesitation and confusion when faced with unbranded products, highlighting how deeply ingrained brand recognition is in our purchasing decisions. Some visitors, however, embraced the concept, indicating a potential shift in consumer behavior when presented with depersonalized choices.
Reflections on Consumer Culture
This installation served as a mirror to our consumer culture, prompting introspection about our relationship with brands and the power of marketing. It raised critical questions about consumer identity and the extent to which it is shaped by external branding forces.
Conclusion
The "Public Research Systems" art installation was not just an experiment; it was a statement on the pervasive influence of branding in our daily lives. By depersonalizing products, it offered a unique perspective on consumer behavior, challenging us to reconsider our choices and the role of brand identity in them. This provocative exploration in 2008 remains relevant today, as it continues to inspire dialogue about the dynamics of consumerism and the potential for a more conscious and reflective approach to consumption.
A Look Back: Directing the 2008 University of South Wales Fashion Show
It all begins with an idea.
June 12, 2008
In 2008, I had the distinct opportunity to art direct and manage the audio-visuals for the University of South Wales Fashion Show, held at the renowned Newport South Wales Main Theatre. This event was more than just a display of emerging talent; it was a fusion of academic excellence and avant-garde fashion, showcasing the potential of new designers in the industry.
Art Directing: A Blend of Academia and Fashion
Art directing for a university-level fashion show presents unique challenges and opportunities. My role involved working closely with students, understanding their design ethos, and bringing their creative visions to life on stage. This required a delicate balance of highlighting their work while ensuring a cohesive and professional presentation suitable for both industry professionals and academics.
The Audio-Visual Symphony
The audio-visual aspect of the show was crucial in setting the right mood and atmosphere. I aimed to create a backdrop that would not only complement the students' designs but also tell a story. The lighting was carefully curated to enhance the textures and colors of the garments, while the audio selection ranged from classical pieces to contemporary beats, reflecting the diversity of the collections.
Embracing Technology in 2008
In 2008, integrating cutting-edge technology into fashion shows was still a relatively new concept. We utilized the best available tech at the time, focusing on creating an immersive experience for the audience. This included sophisticated lighting setups and a high-quality sound system that together created an impactful and memorable show.
Overcoming Challenges
One of the main challenges was ensuring that the technical aspects did not overshadow the students' work. It was a fine line to walk, but the end result was a harmonious blend that allowed each designer's work to shine. Additionally, coordinating with a large group of students and aligning their diverse visions into a singular show was an exercise in patience and creativity.
Reflecting on the Experience
This fashion show was not just a display of clothing; it was an embodiment of the creativity and talent brewing within the University of South Wales. It highlighted the importance of nurturing new talent and the role of universities in shaping the future of fashion.
Conclusion
Looking back, the 2008 University of South Wales Fashion Show at the Newport Theatre was an enriching experience that bridged the gap between academia and the fashion industry. It was an honor to work with such talented individuals and help bring their visions to life. The show was a testament to the creativity and potential of the next generation of fashion designers.
Crafting the Future: Designing the 'Seven of Nine' Boxset for "Star Trek: Voyager"
It all begins with an idea.
October 1, 2001
In 2001, I had the unique opportunity to create concept art for a special 'Seven of Nine' boxset edition of "Star Trek: Voyager," produced by Paramount Pictures. This project was not just about encapsulating the essence of a beloved character; it was about contributing to the rich legacy of the "Star Trek" universe.
The Vision Behind the Boxset
Seven of Nine, portrayed by Jeri Ryan, is a pivotal character in "Star Trek: Voyager," known for her complex evolution from a Borg drone to a key crew member. The boxset was envisioned as a tribute to her journey, capturing both her Borg origins and her humanization throughout the series.
Design Process and Conceptualization
The design process began with in-depth research into the character’s arc and her impact on the series. The concept art needed to reflect Seven of Nine’s dual nature, integrating elements of her Borg past with her human present. Sketches and digital renderings were created to explore various visual themes and compositions.
Key Visual Elements
The final design focused on contrasting elements – the cold, mechanical aspects of the Borg and the warmth of Seven of Nine’s rediscovered humanity. The color palette played a significant role, using shades of grey and metallic hues to represent her Borg side, while warmer tones were incorporated to symbolize her humanization.
Typography and Imagery
Careful attention was paid to the typography and imagery used in the box set. The font choice was futuristic yet readable, resonating with the "Star Trek" aesthetic. The imagery prominently featured Seven of Nine, with subtle references to iconic elements from the show, such as the starship Voyager and the Delta Quadrant.
Collaboration with Paramount Pictures
Working with Paramount Pictures provided valuable insights into maintaining brand consistency while pushing creative boundaries. The collaboration ensured that the boxset not only appealed to fans of the series but also stood out as a collector’s item.
Impact and Reception
Upon its release, the 'Seven of Nine' box set was met with enthusiasm from both "Star Trek" fans and collectors. It was praised for its creative approach to encapsulating the character’s essence and for adding a unique piece to the "Star Trek: Voyager" memorabilia.
Designing the concept art for the 'Seven of Nine' boxset was a journey into the heart of "Star Trek: Voyager," celebrating one of its most iconic characters. This project underscored the importance of thoughtful design in creating merchandise that resonates with fans and honours the spirit of the source material. It remains a highlight in my career, showcasing the intersection of art, storytelling, and fan culture.
Diary of a Madman: Adapting an Audio Legacy to Film with Copyright Challenges
It all begins with an idea.
August 1, 2023
'Diary of a Madman', a project currently in development, aims to bring to the silver screen an adaptation of an audio piece famously performed by Kenneth Williams. This ambitious film project navigates the complexities of copyright law while striving to preserve the essence of the original work.
The Original Audio Piece
Kenneth Williams, renowned for his distinctive voice and dramatic flair, brought a unique depth to the original audio piece. His performance, rich in emotion and nuance, forms the cornerstone of our film adaptation. The audio is a masterful interpretation of the story, filled with a compelling blend of humor and pathos.
Conceptualizing the Film
Transitioning from audio to film requires a thoughtful reinterpretation of the source material. Our approach involves expanding the narrative visually while remaining faithful to the tone and spirit of Williams' performance. The film aims to capture the essence of the character's journey through a blend of dialogue-driven scenes and expressive visual storytelling.
Addressing Copyright Challenges
One of the primary hurdles in bringing this project to fruition is navigating the complex web of copyright clearances. Ensuring respect for the intellectual property rights of the original creators and performers is paramount. Our team is diligently working with legal experts to secure the necessary permissions, a process that is both time-consuming and crucial for the integrity of the project.
The development of 'Diary of a Madman' has fostered a unique collaboration between industry professionals and academics. Scholars specializing in media law, film adaptation, and the works of Kenneth Williams provide invaluable insights, ensuring that the project not only adheres to legal standards but also honors the artistic merit of the original piece.
Anticipated Impact
Once completed, 'Diary of a Madman' promises to be a significant contribution to the film industry. It stands as an example of how classic performances can be reimagined for contemporary audiences, bridging the gap between different mediums of storytelling. Additionally, the film will serve as a case study in the complexities of adapting copyrighted material.
The journey of bringing "Diary of a Madman" to the big screen is a testament to the enduring impact of Kenneth Williams' performance and the ongoing relevance of the story. As we navigate the legal and creative challenges, our commitment to preserving the integrity of the original work remains steadfast. This film, once realized, will offer a new dimension to the legacy of an audio masterpiece, inviting audiences to experience a familiar tale through a fresh, cinematic lens.
Designing the Enchanting World of "Amelie": A Journey in Poster Creation for UGC (2001)
It all begins with an idea.
The UK release of "Amelie" by Union Générale Cinématographique (UGC) was marked by a captivating poster campaign, which I had the privilege of designing. This project was not just about creating a visual advertisement; it was about encapsulating the whimsical essence of the film in a single image and being inspired by the key art of Laurent Lufroy.
Understanding the Essence of 'Amelie'
Before embarking on the design process, it was crucial to immerse myself in the world of "Amelie." The film, known for its quirky charm and vivid storytelling, required a poster that reflected its unique narrative style. My goal was to create a design that resonated with the film’s heartwarming and whimsical nature.
Typography and Layout
The choice of typography and layout was critical in conveying the film’s modern fairy tale ambiance. The font selection was both elegant and playful, complementing the overall design without overpowering the visual elements. The layout was balanced to ensure that each element, from the title to the imagery, worked harmoniously to tell the story at a glance.
Impact on the Film’s Reception
The poster campaign played a pivotal role in the film’s marketing strategy. It not only captured the attention of the audience but also conveyed the film’s unique tone, setting the stage for its reception. The design was well-received in both industry and academic circles, appreciated for its ability to translate the film’s essence into a static image.
The "Amelie" poster campaign for UGC stands as a testament to the power of visual storytelling in film marketing. Through this project, I was able to contribute to the film’s legacy, creating a design that not only promoted the film but also captured its magical and heartwarming essence. It remains a significant highlight in my career, showcasing the impact of thoughtful and creative design in the cinematic world.
Exploring the Depths of Emotion: The Release of Zbigniew Preisner's Iconic Scores
It all begins with an idea.
In the 1990s, the music world witnessed the release of a remarkable edition featuring the works of Zbigniew Preisner, a composer renowned for his emotive and deeply moving scores. This edition notably included the music from "The Last September" and "Aberdeen," exemplifying Preisner's unique ability to capture complex emotions through his compositions.
Zbigniew Preisner: A Maestro of Film Scoring
Preisner, a celebrated Polish composer, is known for his collaborations with filmmaker Krzysztof Kieślowski and for his ability to weave narratives through music. His work stands out for its poetic and often melancholic tone, utilizing classical and contemporary elements to create soundscapes that are both haunting and beautiful.
The Last September
The score for "The Last September," a film set in 1920s Ireland during the War of Independence, is a testament to Preisner's skill in evoking a sense of place and time. The music beautifully captures the tension and poignancy of the era, blending traditional Irish elements with orchestral arrangements to reflect the film's dramatic themes.
Aberdeen
In contrast, "Aberdeen," a more contemporary story, showcases Preisner's versatility. The soundtrack complements the film's emotional journey, moving from subtle, introspective pieces to more stirring compositions. This score is a vivid illustration of how Preisner's music can adapt to different narrative contexts while maintaining its distinctive character.
Impact
The release of this edition was significant not just for fans of film music but also for those in the academic and industry circles. Preisner's work is often studied for its unique blend of classical and modern techniques, and these particular scores are no exception. They serve as excellent examples for analysis in film music composition and theory.
Legacy and Influence
Preisner's music, particularly in these works, has had a lasting impact on film scoring. His approach to creating thematic depth and emotional resonance through music has influenced a generation of composers. The release of this edition allowed a wider audience to appreciate the intricacy and emotional power of his compositions.
The 1990s release of Zbigniew Preisner's music, including the scores for "The Last September" and "Aberdeen," stands as a significant moment in film music history. It highlights the composer's remarkable ability to convey deep emotional narratives through his music, resonating with industry professionals, academics, and enthusiasts alike. Preisner's work continues to be a source of inspiration and study, exemplifying the power of music in cinematic storytelling.